Bach Bibliography Search Result

Author : Lester, Joel
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Compositional Theory in the Eighteenth Century. Cambridge, MA: Harvard Univ. Press, 1992. 355p. ISBN: 0-674-15522-X.				1992	355p
	2.	The Rhythms of Tonal Music. Carbondale: Southern Illinois University Press, 1986. viii, 284p. ISBN: 0-809-31282-4; 0809312824				1986	vii, 284p
	3.	Bach's Works for Solo Violin: Style, Structure, Performance. New York: Oxford University Press, 1999. x, 186p. ISBN: 0-19-517144-6. - repr. edn. 2003.				1999	x, 186p
	4.	Tone-painting the Mysterious: The 'Et expecto' from J. S. Bach's Mass in B Minor.	Bach	51	1	2020	5-43
	5.	What Beethoven might have learned from J. S. Bach.	BonnBeethovenSt	11		2014	111-132
	6.	The Presto from Bach's G-Minor Sonata for Violin Solo: Style, Rhythm, and Form in a Baroque Moto Perpetuo.	[ce]EngagingMusic			2004	167-179
	7.	J. S. Bach teaches us how to compose: four pattern Preludes of the Well-Tempered Clavier.	ColMSymposium	38		1998	33-46
	8.	Problems in the Neue Bach Ausgabe of the E major Partita for Violin Alone.	CurMcol		13	1972	64-67
	9.	The Fux-Mattheson Correspondence: An Annotated Translation.	CurMcol		24	1977	37-62
	10.	Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin.	CurMcol		56	1994	24-53
	11.	Between Modes and Keys: German Theory, 1592-1802. Stuyvesant, N. Y.: Pendragon Press, 1989. xxv, 240p. ISBN: 0-918728-77-0. (= Harmonologia series, 3)	HarmonolSer	3		1989	xxv, 240p
	12.	Simultaneity structures and harmonic functions in tonal music.	InTheoryOnly	5	5	Jun 1981	3-28
	13.	Major-Minor Concepts and Modal Theory in Germany, 1592-1680.	JAMSoc	30	2	Summer 1977	208-253
	14.	Heightening Levels of Activity and J. S. Bach's Parallel-Section Constructions.	JAMSoc	54	1	Spring 2001	49-96
	15.	The Recognition of Major and Minor Keys in German Theory: 1680-1730.	JMTheory	22	1	Spring 1978	65-103
	16.	Reading and Misreading Bach's Sonatas and Partitas for Solo Violin: Schumann's Accompaniments in Eighteenth-Century and Twentieth-Century Contexts. A paper read at the American Musicological Society Annual Meeting in Montreal on 3-7 November 1993.	[p]AMS_Montreal			Nov 1993
	17.	J. S. Bach nos enseña a componer: cuatro preludios modelo de El Clave Bien Temperado. [J.S. Bach teaches us how to compose: Four pattern preludes of the Well-tempered clavier] Trans. by Isabel Garcia Adanez.	Quodlibet		18	Oct 2000	85-99